Spiritual dissonance happens when we feel estranged from the responses we have been taught to make to God, and we grow separate from an authentic spirituality.
Loving God with all our heart, soul and mind creates an appetite for the authentic, and this is always the resting place of our desire to know Him more.
The gospels tell us to seek so that we will find and those who seek so often find themselves looking beyond their received traditions, teachings and practises to find more of God in something surprising outside of the well defined edges and corners of their current box.
Many seekers find that the words of others who are actively seeking God are a mirror and a map in their journey towards authenticity; a mirror because the words of others can reflect back a clear image of the things they already sensed, a map because they offer a route forwards, directions in the next step of the way.
Poetry is valuable in negotiating the deep and strange places of the soul because poetry uses a concentrated form of words to evoke and recreate experiences of the human heart that are often known and rarely spoken.
Advent brings out the best in poets. More so than Christmas. Christmas is over-burdened with meaning, most of it too sentimental to bear the weight of honest spiritual pursuit and the deep pain of the outside world. Spiritual dissonance at this time of year can be overwhelming and we must take all the help we can get to make a way amongst the clutter of the season.
In this poem by Rowan Williams, the imminent birth of Christ is under shadowed by a knowledge of the torture and suffering He will bear. The movement through the stanzas, leaf fall, to frost, to dark days and finally labour and child birth, does not flinch from the painful realities of our waiting for Christ and yet it capture the wonder and beauty of the whole creation’s relief when he is safely come.
He will come like last leaf’s fall.
One night when the November wind
has flayed the trees to the bone, and earth
wakes choking on the mould,
the soft shroud’s folding.
He will come like frost.
One morning when the shrinking earth
opens on mist, to find itself
arrested in the net
of alien, sword-set beauty.
He will come like dark.
One evening when the bursting red
December sun draws up the sheet
and penny-masks its eye to yield
the star-snowed fields of sky.
He will come, will come,
will come like crying in the night,
like blood, like breaking,
as the earth writhes to toss him free.
He will come like child.
This poem is featured in a selection of poems for advent and epiphany, by Janet Morely, that I have reviewed in a previous post.
Archbishop Rowan William’s poem was published in his first poetry collection, After Silent Centuries (Oxford, 1994), and is now available in the volume, The Poems of Rowan Williams. The poem was set to music by Peter Maxwell Davies in a collection of anthems in honour of the Queen’s diamond jubilee.